Napa - Then and Now

Napa Valley Wine Academy Wine Articles A billboard sign with red and yellow text featuring an image of a bunch of grapes.

By Tim Gaiser, MS

Napa Valley Wine Academy Note: This article originally appeared on timgaiser.com on February 8, 2019. It is reprinted here with the author’s permission. We’re big fans of Tim Gaiser MS’s writing, and those unfamiliar with his blog should get acquainted—it is rich with observations that span the gamut of topics in the wine industry. We found this article particular compelling, with Tim’s first-hand account of Napa “Then and Now,” and of observations from a book by Robert Benson who “wanted to find out more about the state of the California wine industry post-Paris tasting,” writes Gaiser. So many of us are new to the valley, this post offers a snapshot into the concerns and realities of the not-so-distant past.

Summer 1976 and the Paris Tasting. The repeal of prohibition was just 43 years before. Dry table wines had only been outselling fortified sweet jug wines in the U.S. since 1968. For most Americans, fine wine—and fine dining for that matter–was about as remote as the Dog Star. The very thought that California wines could ever share the stage with top French bottlings seemed to be fantasy. The tasting changed everything, with California wines judged superior to Grand Cru Burgundy and classified growth Bordeaux by a panel of French judges. The results sent shock waves through the industry–and far beyond.

I was an undergrad studying music at the University of New Mexico at the time. I clearly remember the tasting making national news (all four channels!) as well as the cover of Time Magazine. Even then I knew that for whatever reason, it was a huge deal.

 

At this seminal moment, writer Robert Benson wanted to find out more about the state of the California wine industry post-Paris tasting. From 1976 to early 1977 he interviewed several dozens of the state’s top winemakers. The result was his book, Great Winemakers of California. Published in the fall of 1977, Great Winemakers is the most accurate snapshot of the California industry in the ‘70’s I’ve ever found. Benson’s interviewees were essentially a list of the who’s who of California wine at the time: Andre Tchelistcheff, Paul Draper, Joe Heitz, Robert Mondavi, the legendary Martin Ray just months before his passing, and over 30 more.

Benson’s book is delightfully informative. He conducted all the interviews in person and later transcribed them. Interview questions ranged from general industry topics to the nuts and bolts of winemaking including brix levels, fermentation regimens, fining and filtration techniques, and laws concerning place names and varietal labeling.

In reading the interviews, I was struck by how distinct each individual was—not to mention their wines. Many came to the industry from completely unrelated fields and were amateurs learning on the job. Others and Joe Heitz of Heitz Wine Cellars immediately come to mind, had enology degrees, extensive training, and experience at multiple wineries. Regardless, all possessed what can only be called a pioneer-like spirit and the drive to make their respective wines the very best, while trying to establish the reputation of the California industry as world class. Here are some of the most notable topics from the interviews as well as memorable quotes. I hope you find them as fascinating as I did.

Climate vs. soil: many interviewed said that climate played a far more important role in quality wine than soil or location. However, one notable outlier was Dick Graff of Chalone, who said, “The whole idea of soil vs. climate in California was decided in favor of climate many years ago by professors Amerine and Winkler (U.C. Davis) for the simple reason that the factor of climate produces differences in grapes which are measurable in the laboratory. Now when you go to Europe, it’s universally agreed, from centuries of experience, that soil is very important and ours is about the only limestone deposit in a place that’s arable and has the right climate for grapes.”

Big vs. small wineries and quality: depending on who was being asked, both small and large wineries had the potential to make top quality wine. Rick Forman, then winemaker at Sterling Vineyards, was convinced that smaller was better saying, “Some very good wines can be made in quantity. But wines of style, breed and character, can only be made by hand in small batches.” However, the venerable Robert Mondavi believed just the opposite. Ever the politician, Mondavi was quoted, “I’d say that 95% of the time the finest wines are made by the smaller wineries. But there are exceptions to the rules. I’ve concluded you can produce wines in reasonable quantities that are equal to those of the smallest producer. If you have climate, soil, grape varieties grown in the proper location, and you add dedication, desire, the will to train your people, and the proper facilities, you can duplicate what the smallest producers can do.”

Varietal percentage law: at the time of the book’s release, federal law required that varietal wines only contain a minimum of 51% of the grape stated on the bottle. Shocking, but true. The rest could be anything else available. Some thought the law fine as it was. Others wanted the minimum percentage raised to at least 60%, if not 75% percent. Martin Ray’s wines were 100% varietal. No surprise that he was quick to say, “I think it should be thrown out, for god’s sake!” Karl Wente of Wente Vineyards was a little more forgiving saying, “I’d like to see it go to 60%. I like the opportunity for a little blending with the Grey Riesling, Pinot Noir, and sometimes the Petite Sirah.” If not familiar, Wente’s Grey Riesling (Trousseau Gris) was one of the most popular white wines in the U.S. at the time.

Vintage dating and Christian Brothers. One of the interviewees was Brother Timothy of Christian Brothers, who had been working at the winery since 1928—almost 50 years at the time of the book’s release. With multiple winemaking facilities in Napa and beyond, Christian Brothers were easily the largest winery of any included in the book at well over a million cases per annual production. Brother Timothy strongly believed that quality wine could be made on a mass scale. Also—and this is striking—that blending vintages to achieve a consistent “product” as he called it, was far superior to vintage-dated wines.

Use of centrifuge: proved to be a controversial topic. Those that could afford them used them and proclaimed their superiority in clarifying must before fermentation or the wine before bottling. Richard Arrowood of Chateau St. Jean in Sonoma said, “Let me tell you the reason most people don’t have centrifuges: they are terribly expensive. But the improved quality of the finished product justifies the expense for us.” On the flip side, smaller wineries without the capital or space were against their use, citing that they stripped the must/wine of important solids and character. To point, when asked if he used centrifuges in the winery, Warren Winiarski of Stag’s Leap Wine Cellars said, “No. I don’t know if I’d use one either. I’m not sufficiently impressed that it improves white wines.”

Cultured yeast only: cultured yeast was universally used. Natural ferments were viewed somewhere between mysterious and an anathema to be avoided at all costs.

Use of European place names: a topic of great controversy. Practically every winery included in the book had a lower tier cash-flow line of wines labeled Chablis, Burgundy, Claret, or the like. Most accepted it as the norm. Joe Heitz of Heitz Wine Cellars strongly defended the practice of using place names saying: “The American Indians didn’t start bottling Burgundy. It was Frenchmen, Spaniards, and Germans who came to this country. They brought their cuttings from home, and said, ‘Ah, we’re in California now, this is California Burgundy, or this is Rhine wine.’ It was a natural transition; we didn’t suddenly become a civilized nation and decide to go into the wine business by stealing European place names.” Others condemned the practice of using European names including Andre Tchelistcheff of Beaulieu Vineyards who said, “It is very false for us to steal the appellations of Europe. I accepted it with the bleeding of my heart, but it was a necessity, a compromise I accepted with tears.”

Hand vs. mechanical harvesting: at the time of the book’s release, mechanical harvesting was anything but common practice. And the quality of the machines was definitely not what it is today. However, Donald Alexander of Mirassou Vineyards was convinced of their use saying, “Mechanical harvesting has to be better than picking by hand. We capture the flavor by crushing right in the field.” Martin Ray completely disagreed saying, “Unless your land is level, there is no equipment to take care of it. Anyway, you can’t ever get satisfactory results with mechanical picking of the grapes.”

Variety of grapes planted: one of the things that becomes quickly apparent in Benson’s book is the number and variety of grapes planted. Varietal bottlings of Colombard, Grey Riesling, Riesling, Gewurztraminer, Pinot Blanc, Pinot St. George, Barbera, and Alicante Bouchet were regularly available in tasting rooms—in Napa Valley. Phylloxera would soon change that. More on that below.

The Paris Tasting: without exception, everyone expressed excitement about the results of the tasting. Benson’s final question in every interview asked if California wines were better than their European counterparts. Most said an emphatic “yes” with the few outliers—citing Burgundian varieties like Chardonnay and Pinot Noir—saying, “close but not yet.”

 The diminutive giant: though many of Benson’s questions were topics of debate, no one argued the monumental importance of Andre Tchelistcheff. Many of those who contributed to the book either worked directly with him or used him as a consultant not to mention as a source of knowledge and experience. Everyone, without exception, praised him to the heavens. No mystery that Tchelistcheff’s interview is by far my favorite in the book. Andre’s depth of knowledge about Napa Valley was remarkable—far beyond anyone else at the time. When asked a simple question about planting appropriate varieties in specific places in the valley, he responded with a lengthy tutorial on the Napa Valley’s microclimates and soil types, citing the most appropriate rootstocks and grape varieties for each. His knowledge of winemaking techniques for various styles of wine was also unmatched.

Quick story: I once had a chance to meet Andre—but didn’t. In 1988 I was at a trade tasting at the Mark Hopkins Hotel in the city. I saw the diminutive Tchelistcheff (not much over five feet tall) with a group of people and felt the urge to go over, say hi, and introduce myself. But I was a mere bartender at the time and let the moment pass. I’ve always regretted it.

The World Changed

My first trip to Napa Valley was in the summer of 1983, about six months before Carla and I moved to California. Highway 29 was lined with wineries whose labels I’d seen on wine lists the previous two years while working in restaurants in Ann Arbor during grad school. The valley and its wines seemed to brim with life, potential, and possibility. Then came phylloxera and everything changed. In the span of a decade, most of the vineyards in Northern California were decimated and had to be replanted to the cost of $20,000 or more an acre. Many smaller vineyard and winery owners simply couldn’t afford to replant and quietly sold their properties and faded into oblivion.

Replanting also changed varietal demographics and overall wine character of the valley dramatically—forever. The combination of high cost of land (yes, even then) and expense of replanting practically forced most owners to choose grapes that were not only in high market demand, but would also fetch the highest possible tonnage prices. In other words, Chardonnay, Cabernet, and Merlot. But perhaps the greatest impact of this mass replanting–and something is rarely spoken or written about–was that the plant material completely changed. New low vigor native rootstocks and different clones replaced what had come before, most notably the move away from using the AXR1 rootstock that had been so susceptible to phylloxera. The new rootstock-clone combinations required longer hang time for the fruit to reach physiological maturity, and longer hang time made for higher sugar content in the grapes and ultimately higher alcohol levels in the finished wines. Gone forever were the sub-13% Cabernet Sauvignons of the ’60s, ’70s, and early ’80s, with the new wines weighing in at 14-14.5% alcohol by volume and beyond. The new style of wines was debated by press and consumers alike, with critics and the use of numerical scores blamed for the new higher alcohol trend. But in the end, it was the different plant material that was responsible for the change in wine style. As always, nature bats last.

Final Thoughts

With the passing of time, it’s all too easy to forget where we come from. There is so much about California wine that we take for granted simply because it’s been around for decades and become an almost unseen part of the fabric of our professional lives. One of the most important takeaways from Benson’s book for me is the need to keep California wine history on our radar. Further, to maintain an intense curiosity about where the industry came from, and to laud–and never forget–the first generations who put California on the world wine map. Our industry would not exist without the likes of Martin Ray, Andre Tchelistcheff, Robert Mondavi, Paul Draper, Joe Heitz, Warren Winiarski, Dick Peterson and many more. They are the reason why the California wines of today are considered among the greatest anywhere.

*A sad footnote: just yesterday I learned of the passing of longtime Simi winemaker Mary Ann Graff. She was the only woman interviewed in Benson’s book. Graff was the first woman to earn a degree in Enology at UC Davis, the first woman winemaker of the modern era in California, and the first woman on the Board of Directors of the American Society for Enology and Viticulture. I met her several times over the years and always appreciated her deftly balanced wines, her wit, and her passion for the industry. She will be greatly missed.

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Master Sommelier- Instructor, Member of the Board of Advisers

Tim Gaiser

Tim Gaiser is a internationally renowned wine expert and lecturer. He is one of 240 individuals worldwide to attain the elite Master Sommelier wine title and is the former Director of Education and Education chair for the Court of Master Sommeliers, Americas. Tim continues at the Court on the Board of Directors and sits on the exam standards and exam development committees.

Over his 25-plus year career Tim has taught thousands of students in wines and spirits classes at every level as well as developing wine education programs for restaurants, winery schools and wine distributors. He has experience in all phases of the wine industry – online, wholesale, retail, winery, and restaurant – including stints at Heitz Wine Cellars in the Napa Valley and Bix and Cypress Club restaurants in San Francisco, and Virtual Vineyards/the original wine.com. His client list includes Fosters Global Wines, Diageo, American Express, Evian, Pepsico International, Fiduciary Trust, Franklin-Templeton, Morgan Stanley, and Wells Fargo.

Tim has written for a number of publications including Fine Cooking Magazine and Sommelier Journal. He also writes for numerous wine and spirits clients including Champagne Perrier Jöuet, Wines of Germany and the Portuguese Cork Quality Association. Gaiser has served as the author and lead judge for the Best Young Sommelier Competition and the TopSomm Competition, the two major American sommelier competitions.